The Cask of Amontillado

Table of Contents Introduction Figurative/symbolic expressions Allegory Works Cited Introduction The ‘Cask of Amontillado’ is a literary classic story, which can pass as an ordinary narrative piece of literature to the average ordinary reader. To readers with a critical eye however, the figurative speech, and the hyperbole contained in the story cannot go unnoticed.Advertising We will write a custom essay sample on The Cask of Amontillado specifically for you for only $16.05 $11/page Learn More Figurative/symbolic expressions Irony – Montresor, who is committed to punishing a perceived wrong, is also committed to carrying out a wrong without being punished for it. By his own admission, Montressor states that â€Å"a wrong is unredressed when retribution overtakes its redresser† (Poe 3). As such, Montressor states that he would punish the person who inflicted him with injuries, because to him, the wrongs committed against hi m were worthy of punishment. Ironically, though, Montresor states that he would be avenging insults with death, since he perceived that as the ultimate revenge. Unfortunately, Fortunato seems not to have suffered the pain of dying, as Montresor would have liked. Paradox – Montresor triggers a paradox by juxtaposing in the same sentence the phrase â€Å"punish with impunity,† two words that are ordinarily antithetical. As human nature would have it, people are often quicker to see weaknesses in other while ignoring their more apparent flaws. As such, Montresor finds his companion’s â€Å"transgression† worthy of the cruelest death, and believes that his cause is so right that he deserves to get away with it. Sarcasm – In human speech, very few styles of expression are as cruel as sarcasm. Although in this case Fortunato is ignorant of the sarcasm, Montresor is nevertheless invoking it when he says, â€Å"my dear Fortunato, you are luckily met†Ã¢â‚¬â„¢ (Poe 3). It is as if Montresor, if he were understood for his true intentions, were saying, ‘It is your ill-luck that you have met me today’. It is often the cruelest hearts that fashion the most effective sarcasms: sarcasms so sharp-edged that they slice through their target audience’s ears without their ever getting to understand their full true meaning. The cruelty resident in Montresor’s dark mind is exhibited in his solitary musing: â€Å"I was so pleased to see him that I thought I never should have done wringing his hands† (Poe 3). Oxymoron – Montresor engages in oxymoronic speech by describing the attendant’s abandonment of their duties at his palazzo as â€Å"making merry in honor of the time† (Poe 4). This was in direct disregard for his instructions to them not to leave the house at all while he is away.Advertising Looking for essay on american literature? Let's see if we can help you! Get your first pa per with 15% OFF Learn More Of course, there is the implication that he knew beforehand what they would do. By the attendants behaving just as he had anticipated, Montresor gets his perfect alibi. To protect themselves from the charge of absconding duty, they would swear that he had been on a journey and had not at all returned that whole day. Hyperbole – There is a sense of this in Fortunato’s statement that he drinks to â€Å"the buried that repose around us† (Poe 5). Dead bodies may be immobile but as to whether they are at rest, is a matter of conjecture. Allegory Poe’s tale can be interpreted as an allegory of the pain, death, and the senselessness of vengeance. To reflect all the three identified themes, Poe (knowingly or unknowingly) divided his story into three parts. In the first part, Monstresor is infuriated by what he perceives as an insult from Fortunato. As a result, he vows to inflict vengeance on Fortunato. This part of the story symbolizes people’s desire to avenge for the wrongs committed against them, and to inflict pain on the people who wrong them. As reflected in the conclusion of Poe’s tale, while inflicting pain on a person may seem like the perfect vengeance, it does not fetch as much pleasure as the avenger would like to. The tale also makes an attempt to convince readers that death, is not necessarily a painful or even bitter experience to those who are dead or dying. This is symbolized by what sounds like Fortunato’s laughter when he finally realizes his fate. Poe also hints at the emptiness of revenge through Montresor’s description of his feeling as â€Å"sick† soon as he realized he had just killed Fortunato. The second part of Poe’s take is apparent when Montresor lures Fortunato underground, and gets him drunk. The third part of the tale on the other hand is reflected in the long journey that two take, only for Montresor to encourage Fortunato into r eaching â€Å"the extremity of the niche† (Poe 7), where he found iron staples hindering his progress further into the crypt. Here, Montresor chained Fortunato up, ready to avenge the perceived wrongs committed against him. His vengeance was only pleasurable for a short period, because Fortunato’s cry only lasted several minutes. At the end, Fortunato made fun of his tormentor, and upon his death Montresor admits that his â€Å"heart grew sick† (Poe 8).Advertising We will write a custom essay sample on The Cask of Amontillado specifically for you for only $16.05 $11/page Learn More Works Cited Poe, Edgar Allan. The Cask of Amontillado. Feedbooks, n.d. Web. This essay on The Cask of Amontillado was written and submitted by user Tyrese N. to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here. The Cask of Amontillado Introduction Edgar Allan Poe is perceived as one of the greatest authors and poets of all time. His works have elicited the need for analysis by various scholars and parties from the field of literature. His short story, â€Å"The Cask of Amontillado†, portrays various stylistic approaches, thus necessitating an analysis to evaluate the writing style.Advertising We will write a custom critical writing sample on The Cask of Amontillado specifically for you for only $16.05 $11/page Learn More â€Å"The Cask of Amontillado† is a story involving horror due to Montresor’s vengeful motive upon Fortunato. Poe’s work on this piece of literature has been considered as one of the world’s perfect short stories. The narrative meets the qualities of a classic short story as theorized by Poe since it can be read in a single sitting. This paper will analyze the stylistic devices that Poe applies in the short story, â€Å"The Cask of Amontillado†. Summary The story’s narrator, Montresor, opens up his revengeful motive towards Fortunato, his acquaintance, by claiming that he insulted him irreparably (Poe 1200). Montresor seeks to use Fortunato’s liking for wine in a bid to carry out his revenge in a way that curtails the risks of being identified. Montresor brings the idea of using Luchesi to taste Amontillado, but Fortunato suggests that he is not good enough for the task and regards him as a competitor as well. The two proceed towards Montresor’s burial vaults, which are exposed and filled with nitre. The nitre causes Fortunato to cough, and thus takes the wine to counter the effects even after being told by Montresor to go home. The two continue exploring the vaults that contain body remains of Montresor’s family members. Fortunato tries to see if Montresor is a true mason by making a hand movement, but the latter does not recognize and he justifies himself by showing him a tr owel implying a stonemason (Poe 1202).  Montresor tells an intoxicated Fortunato to access a small recess through a wall made of bones to get the Amontillado before trapping him. Fortunato starts squalling as the walls go up. The alcohol levels in his system drop as he starts moaning helplessly and later laughs at Montresor, who is not in the mood for jokes, as he continues piling the layers of the wall. Fortunato stops conversing with Montresor after making the final plea, â€Å"For the love of God, Montresor† (Poe 1204), but the latter continues to call his name twice. Montresor positions the final brick and plasters the walls before reassembling the bones on the fourth wall. Montresor says that the bones have not been disturbed for fifty years, and he makes a conclusion in Latin that translates to â€Å"May he rest in peace† (Poe 1205).Advertising Looking for critical writing on american literature? Let's see if we can help you! Get your first paper with 15% OFF Learn More Analysis Poe’s short story depicts a simple plot that portrays various aspects of his style in a compact way. Therefore, the analysis will explore the title, the use of irony, and other aspects writing and stylistic devices that Poe applies. The Title The title, â€Å"The Cask of Amontillado†, sounds mysterious and it tends to elicit fright. â€Å"Amontillado† simply refers to an alcoholic beverage that is linked to sherry. The title seems to conceal the story’s subject since moat people are not familiar with the various types of liquor unless one is a wine connoisseur. On the other hand, â€Å"Casks† are used for the storage of alcoholic beverages. Montresor communicates that Fortunato possesses a â€Å"pipe of what passes for Amontillado† (Poe 1201). In this light, the â€Å"pipe† implies the â€Å"cask†, which could mean a â€Å"casket†. Poe uses the title to conceal and reveal the horrific nat ure of the story artistically as depicted by Fortunato’s ambitions of finding the Cask of Amontillado only to discover his death casket. Additionally, Amontillado has different meanings to Montresor and Fortunato. To Fortunato, Amontillado represents pleasance and delectation, while Montresor uses it for the pursuit of his vengeful mission. The use of irony Poe uses three types of irony in the story as a literary tool that facilitates the readers’ understanding of the friendship that exists between Montresor and Fortunato. He uses situational, dramatic, and verbal irony throughout the story to make it intriguing to the audience. In verbal irony, the speaker uses parables to imply the opposite meaning of what is being said. For instance, the name â€Å"Fortunato† implies good fortune, but it seems to be the contrary in this story. Fortunato turns out to be unfortunate as he is eventually trapped and killed by the revengeful Montresor. Verbal irony is also depicte d as Montresor leads Fortunato to the vaults. Montresor pretends to be caring about Fortunato’s health by noting, â€Å"We will go back; your health is precious†¦You are a man to be missed. For me, it is no matter. We will go back; you will be ill, and I cannot be responsible† (Poe 1203).Advertising We will write a custom critical writing sample on The Cask of Amontillado specifically for you for only $16.05 $11/page Learn More Montresor’s intentions are the opposite since he intends to destroy Fortunato’s health by killing him. Fortunato proceeds deeper towards the vault as his coughs persist, but Montresor tells him that they will go back before it gets late and that his cough is nothing to worry about at the time. Going deep into the vaults means that Fortunato would meet his dark fate, which is signified by Amontillado. Fortunato’s source of pleasure turns out to be his painful ending as Montresor revenges on him.  Poe also uses dramatic irony in the story whereby he reveals some things to the audience, which are unknown to the characters. Fortunato’s dress code appears ironical as it depicts his eagerness to taste the rare alcoholic beverage. He posits, â€Å"The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells† (Poe 1202). In this regard, Fortunato’s dressing mode symbolizes a fool that can be easily tricked into his death. Fortunato also says, â€Å"I will not die of a cough† (Poe 1202). Montresor affirming, â€Å"The cold is merely nothing† (Poe 1202). The readers know what is looming for Fortunato, but he is not aware of what may happen to him according to his enemy’s plans. Fortunato toasts bodies that had been buried in the catacombs without realizing his impending death (Poe 1203).  In situational irony, the opposite of the anticipated outcomes occurs. Poe utilize s this type of irony during the night of the carnival. He posits, â€Å"I had told them that I should not return until the morning and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one, and all, as soon as my back was turned† (Poe 1203). This assertion implies that the Montresor wants his servants not to leave without him, which ensures that they would do the contrary. Another instance of situational irony is whereby the non-existent cask containing the Amontillado turns out to be the connoisseur’s casket. Fortunato ultimately discovers his coffin instead of the rare wine that he anticipates.  Montresor commits a premeditated murder of Fortunato, which is not punished legally after fifty years (Poe 1205). Therefore, it is ironical that Fortunato has been resting in peace as Montresor lives freely with impunity. The plot A good story should entail aspects of an initial con dition, the conflict, complication, climax, suspense, and the conclusion. Poe initiates the story by depicting the painful history between Montresor and Fortunato. Montresor claims, â€Å"Fortunato had hurt me in other ways a thousand times, and I had suffered in quiet† (Poe 1200) implying that there were personal differences that existed between them.Advertising Looking for critical writing on american literature? Let's see if we can help you! Get your first paper with 15% OFF Learn More Fortunato also insults Montresor, thus causing him to vow for revenge. This section provides a good basis for the story’s initial situation. The conflict aspect of the story is comes out when Montresor posits, â€Å"I must punish him with impunity† (Poe 1201). This statement translates into his vengeful strategies that depict the conflict in the story. The story is not complicated and it might only confuse the reader on the aspects of Amontillado and Luchesi. The climax of the story stands out when Fortunato is chained in the catacomb as Montresor starts erecting the walls that would act as Fortunato’s casket. The suspense is created where Montresor positions and plasters the bricks for the tomb. The denouement of the story happens when Montresor places the final brick thereby ending the suspense that calls for the conclusion by writing, â€Å"In pace requiescat!† (Poe 1205). The Tone Montresor describes various events elegantly, which intrigues the reade r. For instance, Montresor describes the bones and human remains in a tone that does not evoke fear. He says, â€Å"We passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux [torches – pronounced â€Å"flam-bow†] rather glow than flame† (Poe 1204). The Setting The story adopts a horrific and gothic setting. The setting of the story proceeds from freedom to confinement as Montresor kills Fortunato by confining him in a casket. The carnival aims at creating happiness and celebrating freedom, but it turns out to be the opposite for Fortunato. The dusk hours imply that something horrific is imminent as manifested by Montresor’s trap. The season is considered as a period of â€Å"supreme madness† (Poe 1203), and thus it evokes a feeling of uncertainty. However, the actual setting of the story is not specified, but events are perceived to take place in the European setting since the names of the characters like Fortunato and Luchesi have a European origin. Amontillado is a wine of Spanish origin whereas Montresor’s coat of arms originates from Scotland. Conclusion â€Å"The Cask of Amontillado† is a perfect short story that depicts Poe’s stylistic features of his works. The title creates a concealed horrific topic that requires the readers’ interpretation of the â€Å"Cask† and â€Å"Amontillado†. Poe uses symbolism, irony, suspense, and horror to give the story a creative element as the setting flows from freedom to confinement. The plot used is simple as it initiates the issue between Montresor and Fortunato before proceeding to build up the conflict that climaxes at Montresor’s catacombs. Therefore, Poe depicts his exceptional writing skills in authoring the short story, thus making him one of the greatest writers and poets of all the time. Works Cited Poe, Edgar. â€Å"The C ask of Amontillado.† The Norton Anthology of English Literature. Eds. Nina Baym et al. New York: W.W. Norton Company, Inc., 2012. 1200-1205. Print. This critical writing on The Cask of Amontillado was written and submitted by user Kinsey Q. to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Dont Hate the Authors Buy Book Reports Online and See the Light at the End of the Tunnel

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All About Radicals in the Japanese Language

All About Radicals in the Japanese Language In written Japanese, a radical (bushu) is a common sub-element found in different kanji characters.  Kanji are the equivalent of letters in Arabic-based languages like English.   Japanese is written in a combination of three scripts: hiragana, katakana, and kanji. Kanji originated from Chinese characters, and the Japanese equivalents are based on ancient spoken Japanese. Hiragana and katakana developed from kanji to express Japanese syllables phonetically.   Most kanji are not used in everyday conversational Japanese, although its estimated that more than 50,000 kanji exist.  The Japanese Ministry of Education designated 2,136 characters as Joyo Kanji. They are the characters frequently used. Although it would be very helpful to learn all of Joyo Kanji, the basic 1,000 characters are sufficient to read about 90 percent  of the kanji used in a newspaper.   Radicals or Bushu and Kanji Technically speaking radicals are  graphemes, meaning theyre the graphical parts that make up each kanji character. In Japanese, these characters are derived from written Chinese kangxi radicals.  Every kanji is made of  a radical, and a radical itself can be a kanji. Radicals express the general nature of the kanji characters, and provide clues to the kanjis origin, group, meaning, or pronunciation. Many kanji dictionaries organize characters by their radicals. There are  214 radicals total, but its likely that even native Japanese speakers cant recognize and name them all. But for those new to the Japanese language, memorizing some of the important and frequently used radicals will be very helpful as you try to learn the meanings of many of the kanji.   When writing kanji, in addition to knowing the meanings of the different radicals in order to better understand the words they spell, its key to know a kanjis stroke count (the number of pen strokes used to make the kanji) and stroke order. Stroke count is also useful when using a kanji dictionary.  The most basic rule for stroke order is that kanji are written from top to bottom and from left to right. Here are some other basic rules. Radicals are roughly divided into seven groups (hen, tsukuri, kanmuri, ashi, tare, nyou, and kamae) by their positions. Common Radicals The hen are found at the left side of a kanji character. Here are common radicals that take the hen position and some sample kanji characters.   Ninben  (person)  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Tsuchihen  (earth)  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Onnahen  (woman)  Ã‚  Gyouninben  (going man)Risshinben(heart)Tehen  (hand)  Kihen  (tree)Sanzui  (water)Hihen  (fire)Ushihen  (cow)ShimesuhenNogihen  (two branch tree)  Ã‚  Ã‚  Ã‚  Itohen  (thread)Gonben  (word)  Ã‚  Kanehen  (metal)  Ã‚  Kozatohen (time) The  common radicals that take thetsukuri and kanmuri  position are listed below.   Tsukuri Rittou  (sword)  Ã‚  Nobun  (folding chair)Akubi  (gap)Oogai  (page)  Ã‚  Ã‚   Kanmuri Ukanmuri  (crown)Takekanmuri  (bamboo)Kusakanmuri  (grass)Amekanmuri  (rain) And here is a look at common radicals that take the  ashi, tare, nyou and kamae position.   Ashi Hitoashi  (human legs)Kokoro  (heart)  Ã‚  Rekka  (fire)  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Tare Shikabane  (flag)  Ã‚  Madare  (dotted cliff)Yamaidare  (sick) Nyou Shinnyou  (road)  Ã‚  Ennyou  (long stride) Kamae Kunigamae(box)  Mongamae  (gate)

Philosophy - Feminism, Moralism, and pornography Essay

Philosophy - Feminism, Moralism, and pornography - Essay Example It is this attitude along with a lack of understanding about human sexuality (admittedly women’s too) that give birth to the new definition of pornography. Had she gained some knowledge about activities like tit torture as depicted in Kama Sutra, she would have thought twice before reaching such a new definition. While stressing on the sadistic attitude of the male-dominated society, it is painful to note the total ignorance the scholar shows towards the element of masochism inherent in women. The scholar is against pornography because of three major reasons. Firstly, it promotes violence against women. Secondly, it provides a totally wrong picture about female sexuality, and thirdly, it promotes male-centeredness (234). It seems that the work goes seriously defective in the fact that it does not give any attention to the impact of explicit sexual content on children. In other words, the scholar is of the opinion that as far as females are not tortured in the portrayal, the material does not have to be considered pornography. Here, she fails to acknowledge the fact that in order to arouse sexual feeling in people including the immature ones, it is not necessary to include bondage or torture. Thus by defining only sexual content with violence as pornography, Longino has provided a totally defective view of pornography. Also, the scholar is alarmed by the fact that pornography has secured its own place in the mainstream media. In the opinion of Longino, this overwhelming acceptance of pornography by the mainstream society and media shows the desire of the male-dominated society to subject females to such activities like rape, bondage, and torture for its own sexual gratification. That means the creation of a society where psychological and physical violence against women is accepted as part of the social culture (234). Admittedly, the scholar is rather unaware about the content of sadism in males as propounded by various thinkers including Freud and

Stateless Nation Essay Example | Topics and Well Written Essays - 1000 words

Stateless Nation - Essay Example Statelessness has serious humanitarian results for the affected individuals (Blitz, p.116). It has been recorded in the research papers and reports that stateless persons face immense challenges in the course of their lives as stateless persons and until they acquire particular citizenship. Human rights accomplishment is one of the key challenges affecting such people. It should be acknowledged that there is a close link between fulfilment of global human rights and citizenship. For instance, when a non-governmental organisation takes up protection of Universal human rights without the acknowledgement of the state they become prone to human rights violations leading to inability to satisfy most of the domestic and political privileges. Every human being is entitled to recognition before the law, be equal before it, possess freedom of movement and association, as well as the right to participate wholly in the affairs of the state. It would be wrong to imagine that the stateless people are denied civil and political rights alone. In fact, social, fiscal and traditional privileges rank high in the list of unfulfilled list of rights for the stateless people. Such matters as the right to self-determination, working rights, education, registering of birth, social security just to mention a few are guaranteed with the citizenship and none of these is guaranteed when someone is stateless.

Sainsburys objectives Essay Example for Free

Sainsburys objectives Essay AIMS AND OBJECTIVES The company aim is to provide a world class service to customers by incorporating quality principles with our everyday routine. OBJECTIVES The companys objective is to discharge the responsibility as leaders in its trade by acting with complete integrity, by carrying out its work to the public good and to the quality of life in the community, to provide unrivalled value to its customers in the quality of the goods it sells, in the competitiveness of its prices and in the range of choice it offers. It aims in its stores, to achieve the highest standards of cleanliness and hygiene, efficiency of operation, convenience and customer service, and thereby create as attractive and friendly a shopping environment as possible and to offer its staff outstanding opportunities in terms of personal career development and in remuneration relative to other companies in the same market, practising always a concern for the welfare of every individual. The companys final objective is to generate sufficient profit to finance continual improvement and growth of the business whilst providing its shareholders with an excellent return on their investment. MARKETING AND SALES The company has a separate Marketing and Sales department and market research is used in the forms of market research staff using survey questionnaire in streets and in store, customer focus mornings where feed back can be gained, and questionnaires regarding current promotions e.g. Reward Card. The company hopes to present an image of high standard appealing to family groups and younger people and quality and value for money. The companys advertising strategy is through local TV and Radio, Local and National Strategies, Head Office planning branch and Marketing and Sales Manager Region e.g. Radio, TV, University, Freshers, Sponsorship Advertise by magazines, posters, instore demonstrations and customer led, evenings, mornings, suggestions, feedback, comments, book, school visits, community groups, talks to groups. The major influences on the price of the product are costs by the producer, competitors prices, regional pricing and select prices. The major markets are customers residing in the South Kirklees area. The main channels of distribution are contract distribution to supply products to store. Minority of goods delivered direct by suppliers. The main costs of distribution are transport and other related fixed costs depot vehicles and labour, fuel, consumables. The company is establishing closer links with suppliers by sharing vehicles. The major customers for the products are supermarket customers in South Kirklees. FINANCE The company leases the land and buildings, and the main items of capital equipment are plant machinery e.g. refrigeration, air conditioning, lighting and additional heating costs, checkout tills, display equipment shelves, trolleys, meat and bakery equipment, the fork lift truck, waste compactors, scissor lifts and computer and catering ovens. The company owns the company patent, trademark and products e.g. Classic Cola, Novon Washing Powder (65% of sales Sainsburys own brand) and its own magazine. The companys sources of finance are through ploughed back profit, shares, bank facilities, hire purchase/leasing and trade credit. Income is through profit and shares. Examples of fixed costs are capital equipment, contracted staff time, products and business rates for buildings. Examples of variable costs are energy heat, light, refrigeration, staff overtime and consumables e.g. staff clothing, paper stores, carrier bags. The company would like to invest in additional equipment and facilities for existing stores and updating others. This would provide better service and generate more sales. The cost of the investment would be variable and would be evaluated through a measured increase in turnover. The organisation has found recent trading conditions difficult because of strong competition in a small geographical area and competitive pricing e.g. special offers, introduction of a Reward Card customers and staff card, more advertising. PRODUCTION The products/services offered are a large supermarket, a wide range of food and non-food e.g. cd/video, books, pharmaceuticals, a cook shop, food includes:- bakery, meat, fish produce, dairy, frozen foods, tinned/packets, also a customer restaurant and a petrol station. The location of the company is in Huddersfield adjacent to the ring road opposite The University of Huddersfield and Oldgate House same side as Aspley Marina. Reasons why the organisation is located in Calderdale/Kirklees are to provide a service to customers within the geographical area and the suitable density of population. Reasons for this specific site are because of excellent road links for distribution and particularly customers, a good public transport system and land available for sale suitable for new store. The production process is split into Inputs, the Process and Outputs. The Inputs are goods and commodities are received from suppliers and received 24 hours a day. The Process is that when received, all items are counted manually and taken to the warehouse loaded on to special shelves. Information is recorded on the computer. Each department identifies goods needed. A list is made and items taken for display and sale in the shop. Department staff replenish the shelves when needed under close supervision and management in order to supply a high class service to customers. There is a customer self service and goods are taken to a checkout till for payment. There is an additional display and sales area inside the front entrance for cigarettes, books, newspapers and other small items. In addition a customer service desk is provided for customer contact. There is an adjoining restaurant for customers with the necessary preparation and sale of food. The Outputs are the provision of goods for sale in the store i.e. food and non food as well as a customer restaurant and petrol service station. HUMAN RESOURCES Human Resources Profile Total number455 Part time363 Full time92 Gender is mainly 25% Male and 75% Female, and a predominate number of staff are employed in checkout/replenishment of goods. Other staff include checkout, catering, administration, replenishes, warehouse, butchers, bakers, sales assistants. Staff Training The recruitment and selection procedures of the organisation are that internal recruitment is provided, they maintain a waiting list of speculative enquiries, they occasionally advise local press and they liaise with DSS re disabled staff. Training provided by the company includes Sainsburys own retail training scheme, NVQ level 1,2, NVQ level 4 for Trainee Managers, Assessors Awards for Department Managers, a regional co-ordinator, employment with training, plus operation skills training for in-house training. Methods used to motivate the workforce include the encouragement of employee commitment through involvement in decision making process. Also a Reward/Profit sharing scheme is used, as is a Pension scheme and additional voluntary contribution, a SAYE scheme, a Staff Association (national/local) and staff discounts. Employees have union representation through the following unions USDAW, T GW Union, a Recognition Agreement of no negotiation rights. Currently 13% of employees are in a union. MANAGEMENT, ADMINISTRATION AND COMMUNICATION Internal methods of communication are through senior management weekly meetings, store manager meetings, deputy manager meetings, department manager monthly meetings with staff, staff/management daily meetings, special additional meetings re initiatives, daily and weekly bulletins and through OASIS (E-Mail). External methods of communication are mail, phones, and through the Media TV, Radio and Press. Communications problems encountered and overcome have been continually ensuring communication of staff at all levels staff/customer upwards to management. The company has set up Staff Councils, elected regular Representatives of Staff and guaranteed Communicators who will inform a group of people. Developments in communication include Staff Councils. EXTERNAL FACTORS The consumers individual needs and expectations and the need to match customers needs to remain in business is one factor looked at. Another is the Governments Statutory legislation e.g. Health Safety, Hygiene, Employment, and Trading Standards. Local Authorities e.g. Planning Agreements, and Highway Authority are others. Competition from other superstores, regarding prime sites, maintaining the share of business, the effective change of products, the range and expansion into new initiatives are the big external factors in this trade.

The Rise and Fall of Shakespeares Lady Macbeth :: Macbeth essays

The Rise and Fall of Lady Macbeth         Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Lady Macbeth's character is one of complexity;   slowly,   but continuously changing throughout the play.   What begins as a struggle for power and a longing to shred her femininity turns Lady Macbeth into what she fears most - a guilt ridden weakling.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   In the beginning ( I, v, 43-54) ,   we see Lady Macbeth reacting to the news of her husbands success and King Duncan's visit.   This ignites her lust for power.   In the quote â€Å"...unsex me here, /   And fill me from the crown to the toe top full/ Of direst cruelty!   make thick my   blood;.../ Come thick night,/   And pall thee in the dunnest smoke of hell,/ That my keen knife see not the wound it makes,†Ã‚   Lady Macbeth talks of wanting all of the cold blooded aspects of â€Å" manliness† so she can kill King Duncan with no remorse - she sees herself   as having these qualities more than her husband,   and because of this,   in a sense, wishes to shed her womanhood.   We can see this ruthless nature more in depth in the quote â€Å"I would,   while it was smiling in my face,/   Have pluck'd my nipple from his boneless gums,/ and dash'd the brains out,   had I so sworn as you/ Have done to this† (I,vii,56-59)   She is obviously a very bitter female, frequently referring to her role as a woman,   both physically and emotionally in negative ways.   In the above quote,   Lady Macbeth is commenting on her husband's lack of gall,   stating,   that quite frankly,   she would make a better man than he.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Although still a very strong woman,   we see the first signs of weakness in Lady's Macbeth's character in Act II,   Scene ii,   12-13.   She says,   â€Å"Had he not resembled/   My father as he slept,   I had done it.†Ã‚   She is giving an excuse for not killing Duncan herself.   As you can plainly see,   this is not the same Lady Macbeth that would bash a baby's brains in in the beginning of the play. Throughout the play,   Macbeth's character grows stronger as Lady Macbeth's will regresses.   It even gets to where Macbeth will not include his wife in his villianous schemes,   where at one time,   it was Lady Macbeth who was implementing these schemes in his head in the first place.   In a sense,   the two characters switch roles;   Lady Macbeth taking a backseat to her husband almost becoming wallpaper for the rest of the play.   The turning point for Lady Macbeth is when she learns of her husband's slaying of Macduff's family.

Barbara Baynton †Squeaker’s Mate Essay

The marginalisation of the female protagonist begins with the title of the story and stays true until the end. For the majority of the story she is referred to as â€Å"Squeaker’s Mate†, â€Å"she†, â€Å"her†, and â€Å"his mate†. When she becomes gravely injured the men of the small outback Australian settlement caution Squeaker against informing her the injury is permanent, because it might to damage to her feminine sensibilities. A page later and Squeaker says to his prostrate partner when she says she will be up soon to help around the home again: †Yer won’t. Yer back’s broke,’ said Squeaker laconically. That’s wot’s wrong er yer; injoory t’ th’ spine. Doctor says that means back’s broke, and yer won’t never walk no more. No good not t’ tell yer, cos I can’t be doin’ everything’. † The Australian brush, always harsh, was particularly dangerous during the late nineteenth century, when Barbara Baynton’s story, Squeaker’s Mate, is set, and doubly or triply so for the women. It was a hard life, and if you survived the first few years, you were aged before your time. Squeaker’s days are filled with building his home and staking his claim on the land, and his nights are a swill of brandy and cheap(er) liquor from the store. His mate – who provided themoney to set up the property – is a burden except when she is working, and when she works, she works hard. The accident, which leaves her crippled, is a tough economic blow. Squeaker compensates by hiring a woman to assist around the place, which is short-hand, for those times as well as (too often) our own, for securing a new â€Å"mate†. At first, this new woman – who remains, it is important to note, unnamed throughout the text – is a help, but she soon becomes a rival. Too soon for the original mate’s liking, who doesn’t care much for the new girl: She was not much to look at. Her red hair hung in an uncurled bang over her forehead, the lower part of her face had robbed the upper, and her figure evinced imminent motherhood, though it is doubtful if the barren woman, noting this, knew by by calculation the paternity was not Squeaker’s. She was not learned in these matters, though she understood all about a ewe and a lamb. Squeaker is an unpleasant fellow, clearly unintelligent, clearly imperceptive to his mate’s needs. He is the prototypical stoic male, calm and selfish in the face of another’s adversity. In a noteworthy paragraph immediately following his mate’s crippling, upon asking for her pipe to calm her nerves, Squeaker retrieves, fills, lights and puffs on his own pipe before attending to her, all while she lies bleeding and paralysed on the ground. Moments later, he is annoyed when she refrains from moving her (again, paralysed) arm from the fire when her sleeve catches alight. Squeaker’s mate’s name is Mary, which is itself a reductive name as it carries little individuality, and there’s no last name attached to it. Mary is like John or Bob, it’s a featureless name, imprecise in its characterisation. Externally, she remains indistinct, with neither her hair colour, her body shape, her fashion sense, her physical mannerisms, ever described. She is quite simply Squeaker’s mate, and deserves no more or less than that. Or does she? In the world Baynton is describing, this is exactly how she would have been perceived. Many woman during that period in that area were considered to be factories for producing babies, and on top of that they were machines for cleaning and cooking. They were not an equal companion, and there was little expectation that a man or a woman had much to share with one another. It was not uncommon, as an example, for the man to leave for days and even weeks at a time, herding sheep and chasing down livestock, or following the weather in search of jobs on other farms both near and far. A healthy woman could take this opportunity to become quite entrepreneurial with the family home, haggling over prices and selling the farm’s commodities at a good price. But a crippled mate was a serious liability, virtually useless, and it is not surprising when Squeaker neglects to call the doctor until his hand is forced. While the outer life of a woman in the brush was not much, their inner lives could be very great indeed. The journals of Fanny and Bessie Bussell, to take one of many examples, were an account of their lives during mid nineteenth century Western Australia, and reveal these women as funny, creative, clever, playful, anxious, forthright, honest and open. Their journals were for them conversations with family back home, a way to connect with people they love. For us, they are historical artefacts and useful for their account of rural life during that period, but they are something more, too – they are living documents, pulsing with freshness and energy, marvelling at the wonder of the strange new land to which they had arrived. Squeaker’s mate – Mary – may not have written any letters, but her thoughts as described by Baynton show her to be resourceful and tough, and astonishingly perceptive in regards to the emotions and motives of others. She is a strong woman, undaunted by her injury though naturally affected by it, and she is aware that her fate is grim should the new mate be accepted wholly by Squeaker. Mary does what she can to turn the situation to her advantage, with surprising, violent and elemental results. Squeaker’s Mate comes from, I will freely admit, a literary lineage of which I am not particularly fond. The dusty, dry, poverty-striken, dialect speaking, naturalistic nineteenth and early twentieth century literature is an anathema to my tastes, and is, for the most part, terribly unreadable today. Far from just being unfashionable many of these stories are impenetrable, relying too heavily on the expectation that the reader will fully grasp the physical realities of the story and relying on local colour and descriptions of animals and dirt to carry the story along. Squeaker’s Mate rises above the muck thanks to its incisive examination of the gender issues surrounding this tumultuous period of Australian history, when men were forging new paths into the nation, discovering resources and establishing cities and towns and women, equally responsible, equally culpable, equally capable, and equally proficient, were dragged thanklessly behind, forgotten too often, their stories lost, lives vanished.

Peasant Revolt DBQ

The peasant revolts in late 1524 were constructed by peasants, craftsmen, and poor soldiers. Although the cause of these peasant revolts were constant, there are several responses from the German states. Some German’s saw the attacks as too intense, others such as nobles viewed the revolts as devious, and others including the pastors and people with religious beliefs related the revolts to god’s will. The documents mostly overlooking the ruthlessness of the attacks came from Martin Luther and the Pastor.These documents depict a message that the revolts were extensive. Their responses to the revolts were both the same, almost like they were reflecting on the occurrences of the revolts as a summary rather than an opinion. The townsfolk were the peasant supporters, opening the gates and towers to the peasants to let them in. Being a rebel himself, Martin Luther, theologian, was able to relate and give a different point of view on the peasant revolts.Luther has more of a ne gative outlook towards the peasants, as he states that â€Å"(the peasants) violently took matters into their own hands. † The map given shows that most conflict was in the middle of Germany, ranging down towards Republic of Venice and South Germany. One other document that conveyed the message of the overall attack responses was the Decree of the Imperial Diet. It talked about the recap of the year, the â€Å"unchristian rebellion by subjects through southern Germany†, and other larger than life depictions of the revolts.The three documents written or directed towards the noblemen convey the noblemen response to the revolts. In the document in reply of Memmingen Town Council, we are able to see what the high authorities of the town had to say about the peasant revolts between 1524 and 1526. â€Å"The peasants shall pay us a reasonable amount of money. † This shows the cause of the peasant revolts, as there were duties being asked of the lower class, and they we re not able to follow up the requests, such as money.Lichtenstein, a noblemen, also reflects on the peasant revolts, saying how nobles joined the peasants because no help or consolation had been sent by the territorial prince. Lichtenstein, however, tells us how it was like to be a nobleman during this time: â€Å"I begged that the peasants should not force me to swear an oath of allegiance to them. † Von Henneberg reflects on the response to the revolts, and how the nobles attempted to ignore the revolt attempts. Peasant Revolt DBQ The peasant revolts in late 1524 were constructed by peasants, craftsmen, and poor soldiers. Although the cause of these peasant revolts were constant, there are several responses from the German states. Some German’s saw the attacks as too intense, others such as nobles viewed the revolts as devious, and others including the pastors and people with religious beliefs related the revolts to god’s will. The documents mostly overlooking the ruthlessness of the attacks came from Martin Luther and the Pastor.These documents depict a message that the revolts were extensive. Their responses to the revolts were both the same, almost like they were reflecting on the occurrences of the revolts as a summary rather than an opinion. The townsfolk were the peasant supporters, opening the gates and towers to the peasants to let them in. Being a rebel himself, Martin Luther, theologian, was able to relate and give a different point of view on the peasant revolts.Luther has more of a ne gative outlook towards the peasants, as he states that â€Å"(the peasants) violently took matters into their own hands. † The map given shows that most conflict was in the middle of Germany, ranging down towards Republic of Venice and South Germany. One other document that conveyed the message of the overall attack responses was the Decree of the Imperial Diet. It talked about the recap of the year, the â€Å"unchristian rebellion by subjects through southern Germany†, and other larger than life depictions of the revolts.The three documents written or directed towards the noblemen convey the noblemen response to the revolts. In the document in reply of Memmingen Town Council, we are able to see what the high authorities of the town had to say about the peasant revolts between 1524 and 1526. â€Å"The peasants shall pay us a reasonable amount of money. † This shows the cause of the peasant revolts, as there were duties being asked of the lower class, and they we re not able to follow up the requests, such as money.Lichtenstein, a noblemen, also reflects on the peasant revolts, saying how nobles joined the peasants because no help or consolation had been sent by the territorial prince. Lichtenstein, however, tells us how it was like to be a nobleman during this time: â€Å"I begged that the peasants should not force me to swear an oath of allegiance to them. † Von Henneberg reflects on the response to the revolts, and how the nobles attempted to ignore the revolt attempts.

Deep Earthquakes - Why They Happen

Deep Earthquakes - Why They Happen Deep earthquakes were discovered in the 1920s, but they remain a subject of contention today. The reason is simple: they arent supposed to happen. Yet they account for more than 20 percent of all earthquakes. Shallow earthquakes require solid rocks to occur, more specifically, cold, brittle rocks. Only these can store up elastic strain along a geologic fault, held in check by friction until the strain lets loose in a violent rupture. The Earth gets hotter by about 1 degree C with every 100 meters of depth on average. Combine that with high pressure underground and its clear that by about 50 kilometers down, on average the rocks should be too hot and squeezed too tight to crack and grind the way they do at the surface. Thus deep-focus quakes, those below 70 km, demand an explanation. Slabs and Deep Earthquakes Subduction gives us a way around this. As the lithospheric plates making up Earths outer shell interact, some are plunged downward into the underlying mantle. As they exit the plate-tectonic game they get a new name: slabs. At first, the slabs, rubbing against the overlying plate and bending under the stress, produce shallow-type subduction earthquakes. These are well explained. But as a slab goes deeper than 70 km, the shocks continue. Several factors are thought to help: The mantle is not homogeneous but rather is full of variety. Some parts remain brittle or cold for very long times. The cold slab can find something solid to push against, producing shallow-type quakes, quite a bit deeper than the averages suggest. Moreover, the bent slab may also unbend, repeating the deformation it felt earlier but in the opposite sense.Minerals in the slab begin to change under pressure. Metamorphosed basalt and gabbro in the slab changes to the blueschist mineral suite, which in turn changes into garnet-rich eclogite around 50 km depth. Water is released at each step in the process while the rocks become more compact and grow more brittle. This dehydration embrittlement strongly affects the stresses underground.Under growing pressure, serpentine minerals in the slab decompose into the minerals olivine and enstatite plus water. This is the reverse of the serpentine formation that happened when the plate was young. It is thought to be complete around 160 km depth.W ater can trigger localized melting in the slab. Melted rocks, like nearly all liquids, take up more space than solids, thus melting can break fractures even at great depths. Over a wide depth range averaging 410 km, olivine begins to change to a different crystal form identical to that of the mineral spinel. This is what mineralogists call a phase change rather than a chemical change; only the volume of the mineral is affected. Olivine-spinel changes again to a perovskite form at around 650 km. (These two depths mark the mantles transition zone.)Other notable phase changes include enstatite-to-ilmenite and garnet-to-perovskite at depths below 500 km. Thus there are plenty of candidates for the energy behind deep earthquakes at all depths between 70 and 700 km, perhaps too many. The roles of temperature and water are important at all depths as well, though not precisely known. As scientists say, the problem is still poorly constrained. Deep Earthquake Details There are a few more significant clues about deep-focus events. One is that the ruptures proceed very slowly, less than half the speed of shallow ruptures, and they seem to consist of patches or closely spaced subevents. Another is that they have few aftershocks, only one-tenth as many as shallow quakes do. They relieve more stress; that is, the stress drop is generally much larger for deep than shallow events. Until recently the consensus candidate for the energy of very deep quakes was the phase change from olivine to olivine-spinel, or transformational faulting. The idea was that little lenses of olivine-spinel would form, gradually expand and eventually connect in a sheet. Olivine-spinel is softer than olivine, therefore the stress would find an avenue of sudden release along those sheets. Layers of melted rock might form to lubricate the action, similar to superfaults in the lithosphere, the shock might trigger more transformational faulting, and the quake would slowly grow. Then the great Bolivia deep earthquake of 9 June 1994 occurred, a magnitude 8.3 event at a depth of 636 km. Many workers thought that to be too much energy for the transformational faulting model to account for. Other tests have failed to confirm the model. Not all agree. Since then, deep-earthquake specialists have been trying new ideas, refining old ones, and having a ball.

10 Pairs of Similar-Looking Near Antonyms

10 Pairs of Similar-Looking Near Antonyms 10 Pairs of Similar-Looking Near Antonyms 10 Pairs of Similar-Looking Near Antonyms By Mark Nichol Many pairs of words, often but not always etymologically related, can be easily confused for each other though they mean almost the opposite. Distinguish carefully between these odd couples: Contemptible: deserving of contempt, or despicable (â€Å"Their effort to suddenly kiss up to her once she inherited money was contemptible.†) Contemptuous: demonstrating contempt (â€Å"His contemptuous dismissal of the idea was inexcusably rude.†) (Both words stem from the Latin contemnere, â€Å"to despise.†) Flare: a signal light or a similar literal or figurative eruption (The shipwrecked sailor fired a signal flare to attract attention from the passing vessel.†) Flair: talent, or style (â€Å"He’s shown a remarkable flair for the craft.†) (Flare has uncertain origin, but it is not likely related to flair, from the Latin fragrare â€Å"odor.†) Gourmet: an expert on, or one who appreciates the nuances of, food or drink (â€Å"His reputation as a gourmet rests on his familiarity with all the best restaurants.†) Gourmand: a person enthusiastic about good food and drink; glutton (â€Å"My neighbor the gourmand has pretensions of being knowledgeable about wine.†) (Gourmet is from the French grommet, â€Å"boy servant,† perhaps itself based on English groom; gourmand derives from the Middle French gourmant. In French, gourmand remains a close synonym of gourmet, with no negative connotation.) Incredible: inspiring disbelief, extraordinary (â€Å"The fact that she had survived the ordeal was incredible.†) Incredulous: disbelieving (â€Å"I looked at him with a gaze of incredulous wonder.†) (Both words are from the antonym of the Latin credibilis, â€Å"credible.†) Mantel: a shelf or supporting structure above a fireplace (â€Å"She approached the fireplace and placed the candelabra on the marble mantel.†) Mantle: a literal or figurative cloak, covering, or layer (â€Å"A mantle of authority lay on the chieftain’s broad shoulders.†) (Both words derive from the Latin mantellum.) Material: matter, or components (â€Å"She brushed up against an object covered with soft material.†) Materiel: supplies and equipment, especially used by a specific organization (â€Å"The army found itself running low on materiel as its supply lines were cut.†) (Both words come from the French materiel.) Ordinance: order or law, or established usage (â€Å"The ordinance went into effect on January 1.†) Ordnance: artillery, or weapon-related military supplies (â€Å"The fort was equipped with enough ordnance to withstand several regiments.†) (Both words stem from the Latin ordinare, to put into order.†) Temerity: recklessness (â€Å"My assistant had the temerity to suggest that I didn’t know how to do my job!†) Timidity: lacking in courage or boldness (â€Å"Her timidity about approaching him resulted in another missed opportunity.†) (Temerity is from the Latin temere, â€Å"blindly†; timidity derives from the Latin timere, â€Å"fear.†) Troop: a military unit or similar group (â€Å"The outnumbered troop retreated in the face of overwhelming firepower.†) Troupe: a theatrical group or other collection of entertainers (â€Å"Stratford was often visited by traveling troupes of professional actors.†) (The first word is a variant of the second, a Middle French word meaning â€Å"company† and related to the Germanic thorp, â€Å"village,† which survives in English place names as spelled or, more often, as thorpe.) Venal: mercenary, corrupt (â€Å"His approach to business is purely venal.†) Venial: forgivable, excusable (â€Å"I consider envy a venial sin.†) (Venal derives from Latin the venum, â€Å"sale†; venial comes from the Latin venia, â€Å"pardon.†) Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Misused Words category, check our popular posts, or choose a related post below:50 Handy Expressions About HandsHow to Punctuate Descriptions of ColorsContinue and "Continue on"

Differences in effectiveness of Humen Resource Management practices Essay

Differences in effectiveness of Humen Resource Management practices (HRM) in Saudi Arabia between local and multinational banks - Essay Example The two fold problem has been considered in this dissertation. First of all it has been identified that what are the main effective human resource practices with respect to banks in Saudi Arabia and in the other developing and developed countries. It is then considered that whether the human resource practices are more effective in international banks as compared with the local banks. The questionnaire method been used for data collection. Equal numbers of people from local and international banks in Saudi Arabia were asked the questions. Likert scale was used to devise the questionnaire. Job satisfaction was considered as proxy for effective human resource practices. The job satisfaction is a direct consequence of the phenomenon and it can be said that the HR is working effectively. So job satisfaction has been taken as a proxy for effective HR practices. SPSS was used for analyzing the responses. It has been found out that in the domain of recruitment and selection the main effecti ve HR practices are scientific recruitment methods and clear job analysis. In performance management the significant practices are quick and professional feedback. Effective training is also an effective HR practice. On the other hand it was found that the multinational banks have more effective HR practices than the local banks. ... Signature: Name: Mana Almana   Dated: 8/9/2010 Table of Contents Chapter 1. Introduction: 1 1.1 OVERVIEW: 1 1.2 Research Objectives 9 1.4 Research Chapters: 11 1.5 Summary 11 2.LITERATURE REVIEW 12 2.1.Selection and recruitment: 12 2.2. Performance Management: 19 2.3. Training and Development 25 2.4 Job satisfaction as proxy for HR effectiveness 34 Chapter 3. METHODOLOGY 30 3.1. Introduction 30 3.3. The Research Hypothesis 32 3.4. Data Sources and Collection Methods 34 3.5. Summary 44 Chapter 4: Data Analysis and findings: 44 Through SPSS 45 3.1 Recruitment & selection and HR effectiveness (as represented by job satisfaction) 41 3.2 Performance management and the HR effectiveness (as represented by job satisfaction) 56 3.3 Training and HR effectiveness (as represented by job satisfaction) 53 3.4 Performance of International banks and local Saudi Banks 57 Chapter Summary : 64 Chapter 5: Discussion 74 Chapter 6: Conclusion and Recommendations 76 References: 69 Appendix 1: Questionnai re 74 Chapter 1. Introduction: The first chapter is prepared to give an insight of the research problem discussed. It provides background information in overall structure and function of the Saudi banking sector. It then presents the literature review conducted to elucidate human resource management in general. Following up from the fundamentals the importance of this discipline is studied and explained with respect to the banking sector in particular. The study evaluates the significance of human resource management to this industry by comparing the theoretical grounds with the best practices. Finally the purpose of the research will be explained along with